
100 Streets
Anybody can take a wrong turn.
Directed by Jim O'Hanlon
Produced by Helicopter Film Services, Green Door Pictures
A gritty, interconnected London drama exploring redemption and human fallibility through three interwoven stories of moral struggle and second chances.
Three extraordinary stories covering infidelity, adoption, and a drug dealer turned actor intertwine as characters meet in the streets of London.
Clusters
Genres
Questions people ask
Is 100 Streets sad? Yes. More sad than 75% of films.
Is 100 Streets violent? About average. Almost exactly mid-range.
Does 100 Streets end with hope? About average. Almost exactly mid-range.
Is 100 Streets scary? About average. Almost exactly mid-range.
Is 100 Streets easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like 100 Streets
Nearest across the full emotional profile.
Same Mood as 100 Streets
Nearest on what's most distinctive about this one.
Like 100 Streets, But Darker
Similar, pushed toward heavier and more intense.
Like 100 Streets, But Lighter
Similar, pushed toward warmer and easier.
Like 100 Streets, But Less Popular
Same territory, far fewer people have seen it.





























































