Yes. More frightening than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More sad than 70% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does 12:01 PM end with hope?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is 12:01 PM easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

12:01 PM

Name: 12:01 PM
Genre: Science Fiction
Released: 1990
Duration: 25 min
Rating: 7
Cast: Kurtwood Smith, Jane Alden, Don Amendolia, John Bachelder, Laura Harrington

Directed by Jonathan Heap

199025 min7.0 / 10

A cerebral science-fiction premise about temporal entrapment that explores existential dread and the search for meaning within an inescapable loop.

12:01 PM is a 1990 short film directed by Jonathan Heap and starring Kurtwood Smith. It follows Myron Castleman, an everyman who keeps repeating the same hour of his life, from 12:01 PM to 1:00 PM.

Clusters

Mental Illness Caregiving Institutions Under Investigation Time Travel Movies Time and Temporal Structure

Genres

Science Fiction

Keywords

Time Travel Time Loop

Questions people ask

Is 12:01 PM scary? Yes. More frightening than 76% of films.
Is 12:01 PM violent? Barely. Less violent than 76% of films.
Is 12:01 PM sad? Somewhat. More sad than 70% of films.
Does 12:01 PM end with hope? About average. Almost exactly mid-range.
Is 12:01 PM easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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