
200 MPH
Some limits should never be crossed!
Directed by Cole S. McKay
Produced by The Asylum
A revenge-driven street racing thriller built on high-octane action and grief, with a protagonist seeking redemption through dangerous competition.
When the older brother (Tommy Nash) he idolizes is run off the road by a ruthless drug dealer (Darren Thomas) during a nighttime street race known as Sepulveda Suicide, Rick Merchant (Jaz Martin) channels his grief into getting revenge behind the wheel. But to win, he’ll need to modify his trusty 1978 Datsun 280Z — with help from a pretty mechanic (Hennely Jimenez) — to get the maximum speed out of its machinery.
Clusters
Questions people ask
Is 200 MPH sad? Somewhat. More sad than 61% of films.
Is 200 MPH easy watching? Not especially. Less comforting than 61% of films.
Is 200 MPH violent? Somewhat. More violent than 59% of films.
Does 200 MPH end with hope? About average. Almost exactly mid-range.
Is 200 MPH scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like 200 MPH
Nearest across the full emotional profile.
Same Mood as 200 MPH
Nearest on what's most distinctive about this one.
Like 200 MPH, But Darker
Similar, pushed toward heavier and more intense.
Like 200 MPH, But Lighter
Similar, pushed toward warmer and easier.
Like 200 MPH, But Less Popular
Same territory, far fewer people have seen it.




























































