Yes. More sad than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 67% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does 3 A.M. end with hope?

Not especially. Less hopeful than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is 3 A.M. easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

3 A.M.

Name: 3 A.M.
Genre: Crime, Drama
Released: 2001
Duration: 88 min
Rating: 5.8
Cast: Sarita Choudhury, Michelle Rodriguez, Arjun G. Awtramani, Sergej Trifunović, Danny Glover

Driving the night shift can be deadly.

Directed by Lee Davis

Produced by 40 Acres and a Mule Filmworks

200188 min5.8 / 10

A nocturnal, introspective ensemble portrait of NYC taxi drivers grappling with love, mortality, and meaning during the graveyard shift.

The feature film directing debut of Spike Lee protege Lee Davis takes the viewer into the world of taxi drivers. Developed in the Sundance Laboratory, this film offers dove-tailing stories centering on the lives of individual taxi drivers as they reflect on and experience romance, politics, sociology, and spirituality.

Questions people ask

Is 3 A.M. sad? Yes. More sad than 82% of films.
Is 3 A.M. scary? Somewhat. More frightening than 67% of films.
Does 3 A.M. end with hope? Not especially. Less hopeful than 64% of films.
Is 3 A.M. violent? About average. Almost exactly mid-range.
Is 3 A.M. easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

30/ 100