Barely. Less frightening than 84% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does 5-25-77 end with hope?

Yes. More hopeful than 81% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is 5-25-77 easy watching?

Yes. More comforting than 77% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Barely. Less violent than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

5-25-77

Name: 5-25-77
Genre: Drama, Comedy
Released: 2008
Duration: 132 min
Rating: 6.1
Cast: John Francis Daley, Colleen Camp, Steve Coulter, Emmi Chen, Katie Jeep

The true story of a boy... a girl... and the movie that changed everything.

Directed by Patrick Read Johnson

Produced by Sparta Entertainment, Moonwatcher Inc.

2008132 min6.1 / 10

A nostalgic coming-of-age story about a young filmmaker's awakening to love and cinema in rural Illinois, balancing alienation with hope and wonder.

Alienated, hopeful-filmmaker Pat Johnson's epic story growing up in rural Illinois, falling in love, and becoming the first fan of the movie that changed everything.

Clusters

Feel-Good Homecoming Stories Family and Marriage Problems

Genres

Drama Comedy

Keywords

Divorce Filmmaking

Questions people ask

Is 5-25-77 scary? Barely. Less frightening than 84% of films.
Does 5-25-77 end with hope? Yes. More hopeful than 81% of films.
Is 5-25-77 easy watching? Yes. More comforting than 77% of films.
Is 5-25-77 violent? Barely. Less violent than 76% of films.
Is 5-25-77 sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

24/ 100