
At Five in the Afternoon
Directed by Samira Makhmalbaf
Produced by Bac Films, Wild Bunch
A sobering portrait of a young Afghan woman's struggle for education and self-determination against the weight of poverty, tradition, and political constraint.
Nogreh is a young Afghan woman living with her father and her sister-in-law, Leylomah, whose husband, Akhtar, is missing. Beyond the issue of Akhtar, Leylomah is most concerned with how to feed her baby. She cannot provide milk for her baby as her own hunger is preventing her from lactating. Nogreh, however, aspires toward a life in a western styled democracy. Although the Taliban are no longer in power in Afghanistan, traditional forces are still active in the country. Nogreh often displays signs of rebellion, such as wearing a pair of white pumps instead of the traditional slipper beneath her burqa. But mostly, Nogreh wants to be educated. Without her father's knowledge, Nogreh is attending a secular girls school. Ultimately, she wants to become President of Afghanistan. With the help of a Pakistani refugee who likes her as a woman, Nogreh tries to understand exactly what forces led to current world leaders being elected, those forces which she wants to emulate.
Clusters
Genres
Questions people ask
Is At Five in the Afternoon sad? Yes. More sad than 88% of films.
Is At Five in the Afternoon scary? Not especially. Less frightening than 65% of films.
Is At Five in the Afternoon violent? Not especially. Less violent than 64% of films.
Is At Five in the Afternoon easy watching? About average. Almost exactly mid-range.
Does At Five in the Afternoon end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like At Five in the Afternoon
Nearest across the full emotional profile.
Same Mood as At Five in the Afternoon
Nearest on what's most distinctive about this one.
Like At Five in the Afternoon, But Darker
Similar, pushed toward heavier and more intense.
Like At Five in the Afternoon, But Lighter
Similar, pushed toward warmer and easier.
Like At Five in the Afternoon, But Less Popular
Same territory, far fewer people have seen it.

















































