
Azor
Directed by Andreas Fontana
Produced by Alina Film, RTS
A tense, morally murky thriller about complicity and power set against a dictatorship's backdrop, where surface civility masks systemic corruption.
Yvan De Wiel, a private banker from Geneva, is going to Argentina in the midst of a dictatorship to replace his partner, the object of the most worrying rumors, who disappeared overnight. Between hushed lounges, swimming pools, and gardens under surveillance, a remote duel takes place between two bankers who, despite different methods, are the accomplices of a discreet and merciless form of colonization.
Clusters
Questions people ask
Does Azor end with hope? No. Less hopeful than 91% of films.
Is Azor easy watching? Not especially. Less comforting than 74% of films.
Is Azor sad? Somewhat. More sad than 70% of films.
Is Azor violent? Not especially. Less violent than 64% of films.
Is Azor scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble








Like Azor
Nearest across the full emotional profile.
Same Mood as Azor
Nearest on what's most distinctive about this one.
Like Azor, But Darker
Similar, pushed toward heavier and more intense.
Like Azor, But Lighter
Similar, pushed toward warmer and easier.
Like Azor, But Less Popular
Same territory, far fewer people have seen it.

















































