
Baby Jane
Directed by Katja Gauriloff
Produced by Oktober
A tender, intimate portrait of a young woman's awakening and escape through a transformative romantic connection with a charismatic stranger in a new city.
Jane, a small-town girl, has moved to Helsinki and the world is finally open for her. Passionate and excited, she seeks adventure, all the things she has yearned for so long. Jane gravitates to a gay bar at night, staggers in her nervous state of mind, and suddenly there, right next to her, Jane finds her savior: Piki, the most dashing butch in town. Piki is perfect. Jane is hypnotized by Piki's dark-toned voice. Piki offers her an entire new universe, and even more - dreams.
Clusters
Questions people ask
Does Baby Jane end with hope? Yes. More hopeful than 81% of films.
Is Baby Jane violent? Barely. Less violent than 76% of films.
Is Baby Jane easy watching? Somewhat. More comforting than 71% of films.
Is Baby Jane scary? Not especially. Less frightening than 65% of films.
Is Baby Jane sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Baby Jane
Nearest across the full emotional profile.
Same Mood as Baby Jane
Nearest on what's most distinctive about this one.
Like Baby Jane, But Darker
Similar, pushed toward heavier and more intense.
Like Baby Jane, But Lighter
Similar, pushed toward warmer and easier.
Like Baby Jane, But Less Popular
Same territory, far fewer people have seen it.




























































