Does Bait end with hope?

No. Less hopeful than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More frightening than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Bait easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More violent than 68% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Bait

Name: Bait
Genre: Thriller, Drama, Crime
Released: 1954
Duration: 79 min
Rating: 5.4
Cast: Cleo Moore, Hugo Haas, John Agar, Emmett Lynn, Bruno VeSota

... The Door's Open ... Come On In!

Directed by Hugo Haas

Produced by Hugo Haas Productions, Columbia Pictures

195479 min5.4 / 10

A dark, scheming noir-inflected thriller about a man's calculated betrayal and murder plot, driven by jealousy and greed in an isolated mining setting.

A man looking for his fortune in a mine decides to tempt his partner with his much younger wife. The goal? To catch them "in the act" and kill him without consequence.

Clusters

Deadly Romantic Obsession Friendship Movies Treasure Hunt Movies

Genres

Thriller Drama Crime

Keywords

Gold Mine B Movie Older Man Younger Woman Relationship

Questions people ask

Does Bait end with hope? No. Less hopeful than 91% of films.
Is Bait scary? Yes. More frightening than 82% of films.
Is Bait easy watching? Not especially. Less comforting than 74% of films.
Is Bait violent? Somewhat. More violent than 68% of films.
Is Bait sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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