Bill Maher: But I'm Not Wrong

Bill Maher: But I'm Not Wrong

Directed by John Moffitt

Produced by Bill Maher Productions, Moffitt-Lee Productions

201079 min6.9 / 10

A sharp, high-energy stand-up special built on political and social commentary delivered with irreverent humor and intellectual bite.

In front of a live audience at the Raleigh Memorial Auditorium at the Progress Energy Center for the Performing Arts in Raleigh, North Carolina, the Emmy-nominated host of Real Time with Bill Maher performs an all-new hour of stand-up comedy. Among the topics Bill discusses in his ninth HBO solo special are: Whether the "Great Recession" is really over; the fake patriotism of the right wing; what goes on in the mind of a terrorist; why Obama needs a posse instead of the secret service; the drug war; Michael Jackson; getting out of Iraq and Afghanistan; racism; the Teabagger movement; religion; the health-care fight; why Gov. Mark Sanford will come out looking good, and how silly it is to ask "Why do men cheat?"; and why comedy most definitely didn't die when George Bush left office.

Questions people ask

  • Is Bill Maher: But I'm Not Wrong violent? No. Less violent than 92% of films.

  • Is Bill Maher: But I'm Not Wrong sad? Barely. Less sad than 89% of films.

  • Is Bill Maher: But I'm Not Wrong scary? Not especially. Less frightening than 65% of films.

  • Does Bill Maher: But I'm Not Wrong end with hope? Not especially. Less hopeful than 64% of films.

  • Is Bill Maher: But I'm Not Wrong easy watching? Somewhat. More comforting than 62% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

72/ 100

Cinnamon Score

How much this film gives you that nothing else will, and whether it delivers.

Distinctly its own thing.

Rarity85

How unlike any other film this one feels

Surprise67

How much more it delivers than it promises

Love65

How much audiences actually like it

The highest scores in the catalogue →

Ensemble

Like Bill Maher: But I'm Not Wrong

Nearest across the full emotional profile.

Same Mood as Bill Maher: But I'm Not Wrong

Nearest on what's most distinctive about this one.

Like Bill Maher: But I'm Not Wrong, But Darker

Similar, pushed toward heavier and more intense.

Like Bill Maher: But I'm Not Wrong, But Lighter

Similar, pushed toward warmer and easier.

Like Bill Maher: But I'm Not Wrong, But Less Popular

Same territory, far fewer people have seen it.

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