
Bird of Paradise
A drama of forbidden love beyond the pale of white men's morals.
Directed by King Vidor
Produced by RKO Radio Pictures
A romantic melodrama of star-crossed lovers in an exotic island setting, where passion collides with duty and sacrifice.
When a young South Seas sailor falls overboard, the beautiful daughter of a Polynesian king dives in and saves his life. Thus begins the romance of Johnny and Luana. Though Luana is promised to another man, Johnny whisks her away, and for a brief time the lovers live very happily together. But, when a local volcano threatens their lives, Luana knows that she must sacrifice herself to the volcanic gods in order to save her island.
Clusters
Keywords
Questions people ask
Is Bird of Paradise sad? Yes. More sad than 88% of films.
Is Bird of Paradise scary? Not especially. Less frightening than 65% of films.
Is Bird of Paradise easy watching? About average. Almost exactly mid-range.
Is Bird of Paradise violent? About average. Almost exactly mid-range.
Does Bird of Paradise end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Bird of Paradise
Nearest across the full emotional profile.
Same Mood as Bird of Paradise
Nearest on what's most distinctive about this one.
Like Bird of Paradise, But Darker
Similar, pushed toward heavier and more intense.
Like Bird of Paradise, But Lighter
Similar, pushed toward warmer and easier.
Like Bird of Paradise, But Less Popular
Same territory, far fewer people have seen it.


























































