
Chicago
If you can't be famous, be infamous.
Directed by Rob Marshall
Produced by Miramax, The Producer Circle Co.
A stylish, darkly comic musical about ambition and notoriety in Jazz Age Chicago, where two murderers weaponize fame to escape execution.
Murderesses Velma Kelly and Roxie Hart find themselves on death row together and fight for the fame that will keep them from the gallows in 1920s Chicago.
Clusters
Where to watch
Questions people ask
Is Chicago one of a kind? Yes, very. More singular than 97% of films.
Is Chicago scary? Not especially. Less frightening than 65% of films.
Is Chicago sad? Not especially. Less sad than 59% of films.
Does Chicago end with hope? About average. Almost exactly mid-range.
Is Chicago violent? About average. Almost exactly mid-range.
Is Chicago easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Everything like Chicago, and what each one shares →
Like Chicago
Nearest across the full emotional profile.
Same Mood as Chicago
Nearest on what's most distinctive about this one.
Like Chicago, But Darker
Similar, pushed toward heavier and more intense.
Like Chicago, But Lighter
Similar, pushed toward warmer and easier.
Like Chicago, But Less Popular
Same territory, far fewer people have seen it.

















































