Yes. More frightening than 87% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Contraband violent?

Yes. More violent than 83% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Contraband end with hope?

Barely. Less hopeful than 83% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Contraband easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Contraband

Name: Contraband
Genre: Crime, Action
Released: 1980
Duration: 97 min
Rating: 6.3
Cast: Fabio Testi, Ivana Monti, Guido Alberti, Enrico Maisto, Daniele Dublino

Directed by Lucio Fulci

Produced by CMR International, Primex Italiana

198097 min6.3 / 10

A gritty 1980s crime thriller set in Naples where cigarette smugglers clash with cocaine dealers in a world of violence, betrayal, and survival.

Cigarette smugglers in Naples run into problems with cocaine operations being set up by a rival smuggler.

Clusters

Mob Double Crosses Crime and Betrayal Stories Nonstop Chase Movies Revenge Stories Without Happy Endings Organized Crime Movies

Genres

Crime Action

Keywords

Italy Cigarette Cigarette Smuggling Mafia Sadist

Questions people ask

Is Contraband scary? Yes. More frightening than 87% of films.
Is Contraband violent? Yes. More violent than 83% of films.
Does Contraband end with hope? Barely. Less hopeful than 83% of films.
Is Contraband easy watching? Not especially. Less comforting than 74% of films.
Is Contraband sad? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

37/ 100