
Cop
A killer on the loose. A cop on the edge.
Directed by James B. Harris
Produced by Harris-Woods Productions, Atlantic Entertainment Group
A gritty neo-noir about an obsessive, morally compromised cop pursuing a serial killer through a corrupt Los Angeles underworld, driven by personal demons rather than institutional order.
An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.
Clusters
Keywords
Questions people ask
Is Cop scary? Yes. More frightening than 87% of films.
Is Cop easy watching? Barely. Less comforting than 86% of films.
Is Cop violent? Yes. More violent than 80% of films.
Does Cop end with hope? Barely. Less hopeful than 80% of films.
Is Cop sad? Yes. More sad than 75% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble







Like Cop
Nearest across the full emotional profile.
Same Mood as Cop
Nearest on what's most distinctive about this one.
Like Cop, But Darker
Similar, pushed toward heavier and more intense.
Like Cop, But Lighter
Similar, pushed toward warmer and easier.
Like Cop, But Less Popular
Same territory, far fewer people have seen it.

















































