
Cops and Robbers
They make $215.39 a week as Cops, and ten million dollars in one day as Robbers. How did they get away with it?
Directed by Aram Avakian
Produced by Elliott Kastner Productions, United Artists
A lighthearted 1970s heist comedy about two underpaid cops who turn to crime, driven by comedic mishaps and buddy-cop camaraderie rather than darkness or existential stakes.
Two disillusioned New York policemen plan a $10 million robbery to fuel their low pensions, only to run into one debacle after another in the process.
Questions people ask
Is Cops and Robbers sad? Barely. Less sad than 80% of films.
Is Cops and Robbers easy watching? Somewhat. More comforting than 67% of films.
Does Cops and Robbers end with hope? About average. Almost exactly mid-range.
Is Cops and Robbers violent? About average. Almost exactly mid-range.
Is Cops and Robbers scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Cops and Robbers
Nearest across the full emotional profile.
Same Mood as Cops and Robbers
Nearest on what's most distinctive about this one.
Like Cops and Robbers, But Darker
Similar, pushed toward heavier and more intense.
Like Cops and Robbers, But Lighter
Similar, pushed toward warmer and easier.
Like Cops and Robbers, But Less Popular
Same territory, far fewer people have seen it.


























































