
Crossroads
Where second best never gets a second chance.
Directed by Walter Hill
Produced by Columbia Pictures
A blues-soaked coming-of-age quest that weaves ambition, legend, and the Faustian bargain at the heart of American music.
A wanna-be blues guitar virtuoso seeks a long-lost song by legendary musician, Robert Johnson.
Clusters
Where to watch
Questions people ask
Is Crossroads one of a kind? Yes. More singular than 85% of films.
Is Crossroads sad? Somewhat. More sad than 70% of films.
Is Crossroads easy watching? Somewhat. More comforting than 62% of films.
Does Crossroads end with hope? Somewhat. More hopeful than 62% of films.
Is Crossroads violent? About average. Almost exactly mid-range.
Is Crossroads scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Written about
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like Crossroads, and what each one shares →
Like Crossroads
Nearest across the full emotional profile.
Same Mood as Crossroads
Nearest on what's most distinctive about this one.
Like Crossroads, But Darker
Similar, pushed toward heavier and more intense.
Like Crossroads, But Lighter
Similar, pushed toward warmer and easier.
Like Crossroads, But Less Popular
Same territory, far fewer people have seen it.





























































