
Damien - Omen II
The first time was only a warning.
Directed by Don Taylor
Produced by Mace Neufeld Productions, 20th Century Fox
A supernatural horror thriller centered on the Antichrist's adolescence, blending occult dread with institutional paranoia and theological menace.
Since the sudden and suspicious deaths of his parents, young Damien has been in the charge of his wealthy aunt and uncle and enrolled in a military school. Widely feared to be the Antichrist, he relentlessly plots to seize control of his uncle's business empire — and the world.
Clusters
Where to watch
Questions people ask
Does Damien - Omen II end with hope? No. Less hopeful than 96% of films.
Is Damien - Omen II scary? Yes, very. More frightening than 95% of films.
Is Damien - Omen II easy watching? No. Less comforting than 92% of films.
Is Damien - Omen II one of a kind? Yes. More singular than 87% of films.
Is Damien - Omen II violent? Yes. More violent than 80% of films.
Is Damien - Omen II sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Everything like Damien - Omen II, and what each one shares →
Like Damien - Omen II
Nearest across the full emotional profile.
Same Mood as Damien - Omen II
Nearest on what's most distinctive about this one.
Like Damien - Omen II, But Darker
Similar, pushed toward heavier and more intense.
Like Damien - Omen II, But Lighter
Similar, pushed toward warmer and easier.
Like Damien - Omen II, But Less Popular
Same territory, far fewer people have seen it.

















































