
Dark Buildings (A Crack in the Wall)
Nobody is inocent
Directed by Nicolás Gil Lavedra
Produced by Benteveo, Bowfinger
A tense, morally murky mystery where a simple architectural dispute unravels into something far darker, told through fragmented memories and collective deception.
When the beautiful Leonor arrives at the architecture studio Borla y Asociados looking for Nelson Jara, both Mario Borla and his partner Marta Hovart and Pablo Simó, the building's oldest architect, claim to ignore that name completely. But they all lie. The truth begins to unravel through the memories of Pablo Simó. Pablo should carry out the unpleasant job of dealing with Nelson Jara, an indignant owner of the building adjoining a work of the studio, damaged by a crack in the wall of his living room caused by an error in the construction. But the fear and nervousness that provokes in the three involved the arrival of Leonor and her question "what happened to Nelson Jara?" Show something much darker and more suspicious. (FILMAFFINITY)
Clusters
Questions people ask
Does Dark Buildings (A Crack in the Wall) end with hope? Barely. Less hopeful than 83% of films.
Is Dark Buildings (A Crack in the Wall) sad? Yes. More sad than 75% of films.
Is Dark Buildings (A Crack in the Wall) easy watching? Not especially. Less comforting than 74% of films.
Is Dark Buildings (A Crack in the Wall) scary? Somewhat. More frightening than 67% of films.
Is Dark Buildings (A Crack in the Wall) violent? Not especially. Less violent than 62% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Dark Buildings (A Crack in the Wall)
Nearest across the full emotional profile.
Same Mood as Dark Buildings (A Crack in the Wall)
Nearest on what's most distinctive about this one.
Like Dark Buildings (A Crack in the Wall), But Darker
Similar, pushed toward heavier and more intense.
Like Dark Buildings (A Crack in the Wall), But Lighter
Similar, pushed toward warmer and easier.
Like Dark Buildings (A Crack in the Wall), But Less Popular
Same territory, far fewer people have seen it.























































