Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Daybreak end with hope?

No. Less hopeful than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Daybreak easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 72% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More violent than 59% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Daybreak

Name: Daybreak
Genre: Crime, Drama
Released: 1939
Duration: 93 min
Rating: 7.6
Cast: Jean Gabin, Jacqueline Laurent, Jules Berry, Arletty, Mady Berry

Directed by Marcel Carné

Produced by Productions Sigma

193993 min7.6 / 10

A noir-inflected psychological drama where a man trapped in his apartment confronts the jealousy and romantic entanglement that drove him to murder.

After committing a murder, a man locks himself in his apartment and recollects the events that led him to the killing.

Clusters

Toxic Romantic Relationships Murder And Assassination Film Genres and Movements Heist and Police Chase Movies Professional Occupations

Genres

Crime Drama

Keywords

Jealousy Romance Flashback Film Noir Murder French Noir Dog Trainer Police Standoff

Questions people ask

Is Daybreak sad? Yes, very. More sad than 96% of films.
Does Daybreak end with hope? No. Less hopeful than 96% of films.
Is Daybreak easy watching? Not especially. Less comforting than 74% of films.
Is Daybreak scary? Somewhat. More frightening than 72% of films.
Is Daybreak violent? Somewhat. More violent than 59% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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