Is Don't Go to Sleep sad?

Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Don't Go to Sleep scary?

Yes, very. More frightening than 94% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Don't Go to Sleep easy watching?

No. Less comforting than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Don't Go to Sleep end with hope?

No. Less hopeful than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Don't Go to Sleep violent?

Yes. More violent than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Don't Go to Sleep

Name: Don't Go to Sleep
Genre: Horror, TV Movie
Released: 1982
Duration: 93 min
Rating: 6.5
Cast: Dennis Weaver, Valerie Harper, Robin Ignico, Kristin Cumming, Oliver Robins

Mary thinks there is something alive under her bed. Mary is right.

Directed by Richard Lang

Produced by Warner Bros. Television, Aaron Spelling Productions

198293 min6.5 / 10

A haunting family tragedy where grief and guilt manifest as supernatural terror, trapping a household in cycles of violence and spectral revenge.

One year after a young girl dies in a car accident, her sister begins seeing visions of her, while the family home is plagued by strange happenings.

Questions people ask

Is Don't Go to Sleep sad? Yes, very. More sad than 96% of films.
Is Don't Go to Sleep scary? Yes, very. More frightening than 94% of films.
Is Don't Go to Sleep easy watching? No. Less comforting than 92% of films.
Does Don't Go to Sleep end with hope? No. Less hopeful than 91% of films.
Is Don't Go to Sleep violent? Yes. More violent than 80% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

54/ 100