
Earwig
Directed by Lucile Hadžihalilović
Produced by Petit Film, Frakas Productions
A haunting, deliberately ambiguous fable about isolation, control, and the unknowable bond between a caretaker and an uncanny child, suffused with dread and melancholy.
Somewhere in Europe, mid-20th century. Albert is employed to look after Mia, a girl with teeth of ice. Mia never leaves their apartment, where the shutters are always closed. The telephone rings regularly and the Master enquires after Mia's wellbeing. Until the day Albert is instructed that he must prepare the child to leave.
Clusters
Questions people ask
Is Earwig sad? Yes. More sad than 88% of films.
Is Earwig scary? Yes. More frightening than 82% of films.
Does Earwig end with hope? Barely. Less hopeful than 80% of films.
Is Earwig violent? Not especially. Less violent than 64% of films.
Is Earwig easy watching? Not especially. Less comforting than 61% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Earwig
Nearest across the full emotional profile.
Same Mood as Earwig
Nearest on what's most distinctive about this one.
Like Earwig, But Darker
Similar, pushed toward heavier and more intense.
Like Earwig, But Lighter
Similar, pushed toward warmer and easier.
Like Earwig, But Less Popular
Same territory, far fewer people have seen it.
























































