
Gone
Nobody knows where she is. Nobody is coming to save her.
Directed by Henrik JP Åkesson, Mattias Olsson
Produced by Trossfilm, Anagram
A claustrophobic survival thriller centered on a woman's desperate fight for escape from captivity, driven by sustained paranoia and isolation.
After suffering a family tragedy, a young woman leaves her hometown to start a new life in another city. During her long drive, she meets a mysterious man who begins following her. Before she knows it, she has been kidnapped and taken to a basement somewhere in the forest. With no one coming to her rescue, she must rely on herself if she wants to survive.
Clusters
Genres
Keywords
Questions people ask
Is Gone scary? Yes, very. More frightening than 94% of films.
Is Gone easy watching? No. Less comforting than 92% of films.
Does Gone end with hope? Barely. Less hopeful than 83% of films.
Is Gone sad? Yes. More sad than 82% of films.
Is Gone violent? Yes. More violent than 80% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Gone
Nearest across the full emotional profile.
Same Mood as Gone
Nearest on what's most distinctive about this one.
Like Gone, But Darker
Similar, pushed toward heavier and more intense.
Like Gone, But Lighter
Similar, pushed toward warmer and easier.
Like Gone, But Less Popular
Same territory, far fewer people have seen it.























































