
Hawaii
Directed by Marco Berger
Produced by La Noria Cine, Universidad del Cine
A tender, ambiguous summer romance between two men reconnecting after years apart, shadowed by mutual deception and unspoken desire.
Eugenio spends the summer looking after his aunt and uncle’s house - a place that once belonged to him - while seeking inspiration for a screenplay he is writing. Martín, currently unemployed, offers to handle various repairs around the house. The two met long ago as children but had not seen each other since. However, their renewed connection is built on deception: Martín has nowhere to sleep but lies to Eugenio about it, while Eugenio seems interested in Martín as something more than just a friend.
Clusters
Genres
Questions people ask
Is Hawaii violent? Barely. Less violent than 86% of films.
Is Hawaii sad? Yes. More sad than 75% of films.
Is Hawaii easy watching? Somewhat. More comforting than 67% of films.
Is Hawaii scary? Not especially. Less frightening than 65% of films.
Does Hawaii end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Hawaii
Nearest across the full emotional profile.
Same Mood as Hawaii
Nearest on what's most distinctive about this one.
Like Hawaii, But Darker
Similar, pushed toward heavier and more intense.
Like Hawaii, But Lighter
Similar, pushed toward warmer and easier.
Like Hawaii, But Less Popular
Same territory, far fewer people have seen it.





















































