
Hopscotch
The most dangerous man in the world. He's about to expose the CIA, the FBI, the KGB ... and himself.
Directed by Ronald Neame
Produced by Connelly Associates, Ely and Edy Landau
A globe-trotting spy comedy built on cat-and-mouse pursuit and the clash between institutional power and individual defiance, played with wit and energy rather than darkness.
When CIA operative Miles Kendig deliberately lets KGB agent Yaskov get away, his boss threatens to retire him. Kendig beats him to it, however, destroying his own records and traveling to Austria where he begins work on a memoir that will expose all his former agency's covert practices. The CIA catches wind of the book and sends other agents after him, initiating a frenetic game of cat and mouse that spans the globe.
Clusters
Questions people ask
Is Hopscotch sad? Barely. Less sad than 80% of films.
Does Hopscotch end with hope? Somewhat. More hopeful than 70% of films.
Is Hopscotch easy watching? Somewhat. More comforting than 62% of films.
Is Hopscotch violent? About average. Almost exactly mid-range.
Is Hopscotch scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Hopscotch
Nearest across the full emotional profile.
Same Mood as Hopscotch
Nearest on what's most distinctive about this one.
Like Hopscotch, But Darker
Similar, pushed toward heavier and more intense.
Like Hopscotch, But Lighter
Similar, pushed toward warmer and easier.
Like Hopscotch, But Less Popular
Same territory, far fewer people have seen it.





























































