Yes. More sad than 88% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does I, Anna end with hope?

Barely. Less hopeful than 78% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 67% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is I, Anna easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

I, Anna

Name: I, Anna
Genre: Drama, Thriller, Mystery
Released: 2012
Duration: 93 min
Rating: 5.3
Cast: Charlotte Rampling, Gabriel Byrne, Hayley Atwell, Eddie Marsan, Jodhi May

The Darkest Secrets Are The Ones We Hide From Ourselves

Directed by Barnaby Southcombe

Produced by Arsam International, Embargo Films

201293 min5.3 / 10

A morally ambiguous neo-noir thriller that uses a femme fatale's unreliable perspective to explore deception, desire, and the gap between identity and truth.

A noir thriller told from the point of view of a femme fatale, who falls for the detective in charge of a murder case.

Clusters

Romantic Psychological Thrillers Film Genres and Movements Strong Female Characters

Genres

Drama Thriller Mystery

Keywords

Femme Fatale Neo-noir

Questions people ask

Is I, Anna sad? Yes. More sad than 88% of films.
Does I, Anna end with hope? Barely. Less hopeful than 78% of films.
Is I, Anna scary? Somewhat. More frightening than 67% of films.
Is I, Anna easy watching? Not especially. Less comforting than 61% of films.
Is I, Anna violent? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

13/ 100