
Kiri-Kis
Directed by Segundo de Chomón
Produced by Pathé Frères
A lighthearted silent-era novelty short celebrating acrobatic spectacle and camera trickery with infectious playfulness and wonder.
A family troupe of acrobats, made up to appear Japanese, perform various unbelievable stunts in front of the camera, achieved through a trick of the camera.
Clusters
Questions people ask
Is Kiri-Kis scary? No. Less frightening than 98% of films.
Is Kiri-Kis sad? No. Less sad than 97% of films.
Is Kiri-Kis violent? No. Less violent than 92% of films.
Is Kiri-Kis easy watching? Yes. More comforting than 88% of films.
Does Kiri-Kis end with hope? Somewhat. More hopeful than 70% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Like Kiri-Kis
Nearest across the full emotional profile.
Same Mood as Kiri-Kis
Nearest on what's most distinctive about this one.
Like Kiri-Kis, But Darker
Similar, pushed toward heavier and more intense.
Like Kiri-Kis, But Lighter
Similar, pushed toward warmer and easier.
Like Kiri-Kis, But Less Popular
Same territory, far fewer people have seen it.

















































