
Little Longnose
Directed by Ilya Maksimov
Produced by CTB Film Company, Melnitsa Animation Studio
A whimsical fairy-tale musical about a cursed boy and an enchanted princess who journey together to break a witch's spell, blending surreal magic with earnest warmth and hope.
When he refused to support power-hungry witch, the good shoemaker's boy, Jacob is transformed into a hunchbacked dwarf with overlong nose. Of their mother no longer recognized, mocked by the people of the city and driven away, Jacob runs one day a goose on the road. Together with the spring animal - in fact the king's daughter Greta enchanted - Jacob is now trying to make the transformation to reverse and put the wicked witch craft.
Clusters
Questions people ask
Does Little Longnose end with hope? Yes. More hopeful than 85% of films.
Is Little Longnose easy watching? Yes. More comforting than 77% of films.
Is Little Longnose violent? Not especially. Less violent than 64% of films.
Is Little Longnose sad? Somewhat. More sad than 61% of films.
Is Little Longnose scary? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Like Little Longnose
Nearest across the full emotional profile.
Same Mood as Little Longnose
Nearest on what's most distinctive about this one.
Like Little Longnose, But Darker
Similar, pushed toward heavier and more intense.
Like Little Longnose, But Lighter
Similar, pushed toward warmer and easier.
Like Little Longnose, But Less Popular
Same territory, far fewer people have seen it.

















































