
Medea
It's a movie about a woman who beheads her brother, stabs her children, and sends her lover's wife up in flames. For Maria Callas, it's a natural.
Directed by Pier Paolo Pasolini
Produced by Les Films Number One, Janus Film und Fernsehen
A stark, operatic tragedy of betrayal and vengeance rooted in ancient Greek myth, where a woman's descent into infanticide becomes an unflinching exploration of rage, displacement, and the destruction of love.
Based on the plot of Euripides' Medea. Medea centers on the barbarian protagonist as she finds her position in the Greek world threatened, and the revenge she takes against her husband Jason who has betrayed her for another woman.
Clusters
Questions people ask
Does Medea end with hope? No. Less hopeful than 100% of films.
Is Medea violent? Yes, very. More violent than 99% of films.
Is Medea easy watching? No. Less comforting than 99% of films.
Is Medea sad? Yes, very. More sad than 96% of films.
Is Medea scary? Somewhat. More frightening than 67% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Medea
Nearest across the full emotional profile.
Same Mood as Medea
Nearest on what's most distinctive about this one.
Like Medea, But Darker
Similar, pushed toward heavier and more intense.
Like Medea, But Lighter
Similar, pushed toward warmer and easier.
Like Medea, But Less Popular
Same territory, far fewer people have seen it.
























































