Does Michael end with hope?

No. Less hopeful than 100% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Michael easy watching?

No. Less comforting than 99% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More sad than 82% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 72% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More violent than 59% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Michael

Name: Michael
Genre: Drama
Released: 2011
Duration: 96 min
Rating: 6.8
Cast: Michael Fuith, David Rauchenberger, Christine Kain, Ursula Strauss, Victor Tremmel

Directed by Markus Schleinzer

Produced by Nikolaus Geyrhalter Filmproduktion, OFI

201196 min6.8 / 10

A deeply disturbing psychological study of child abduction and captivity that forces unflinching proximity to predatory evil.

Although to the outside world he seems like a perfectly normal insurance broker, Michael secretly keeps a 10-year-old boy locked in a room in his soundproof basement.

Clusters

Realistic Films About Cruelty Depression and Complicity Psychological Thriller Movies Suspicion, Guilt, and Fractured Trust Hidden Rooms In Houses

Genres

Drama

Keywords

Kidnapping Cellar Young Boy Pedophile Child Kidnapping

Questions people ask

Does Michael end with hope? No. Less hopeful than 100% of films.
Is Michael easy watching? No. Less comforting than 99% of films.
Is Michael sad? Yes. More sad than 82% of films.
Is Michael scary? Somewhat. More frightening than 72% of films.
Is Michael violent? Somewhat. More violent than 59% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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