
Nadie te ve: La niña en la piedra
Nobody sees you.
Directed by Maryse Sistach
A dark, tension-laden drama about sexual harassment and revenge in a high school setting, centered on a young woman's vulnerability and violation.
Gabino, a very dedicated and hardworking young high school student, he is infatuated with Maty and tries to make her fall in love with him. After an incident in the school, where Gabino and his two friends are suspended for harassing Maty, she rejects him for the last time causing Gabino to plan a revenge against Maty.
Clusters
Genres
Questions people ask
Is Nadie te ve: La niña en la piedra scary? Yes, very. More frightening than 94% of films.
Does Nadie te ve: La niña en la piedra end with hope? No. Less hopeful than 91% of films.
Is Nadie te ve: La niña en la piedra easy watching? Barely. Less comforting than 86% of films.
Is Nadie te ve: La niña en la piedra sad? Yes. More sad than 82% of films.
Is Nadie te ve: La niña en la piedra violent? Yes. More violent than 80% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Nadie te ve: La niña en la piedra
Nearest across the full emotional profile.
Same Mood as Nadie te ve: La niña en la piedra
Nearest on what's most distinctive about this one.
Like Nadie te ve: La niña en la piedra, But Darker
Similar, pushed toward heavier and more intense.
Like Nadie te ve: La niña en la piedra, But Lighter
Similar, pushed toward warmer and easier.
Like Nadie te ve: La niña en la piedra, But Less Popular
Same territory, far fewer people have seen it.


























































