
No No: A Dockumentary
Directed by Jeffrey Radice
Produced by Arts+Labor, Steeltown Entertainment
A warm, reflective documentary portrait of a groundbreaking pitcher whose unconventional life—from his LSD no-hitter to his redemptive work in drug rehabilitation—reveals both the contradictions of 1970s baseball culture and the possibility of transformation.
Dock Ellis pitched a no-hitter on LSD, then worked for decades counseling drug abusers. Dock's soulful style defined 1970s baseball as he kept hitters honest and embarrassed the establishment. An ensemble cast of teammates, friends, and family investigate his life on the field, in the media, and out of the spotlight.
Clusters
Genres
Questions people ask
Is No No: A Dockumentary violent? Barely. Less violent than 76% of films.
Is No No: A Dockumentary easy watching? Somewhat. More comforting than 71% of films.
Is No No: A Dockumentary sad? Somewhat. More sad than 70% of films.
Is No No: A Dockumentary scary? Not especially. Less frightening than 65% of films.
Does No No: A Dockumentary end with hope? Somewhat. More hopeful than 65% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like No No: A Dockumentary
Nearest across the full emotional profile.
Same Mood as No No: A Dockumentary
Nearest on what's most distinctive about this one.
Like No No: A Dockumentary, But Darker
Similar, pushed toward heavier and more intense.
Like No No: A Dockumentary, But Lighter
Similar, pushed toward warmer and easier.
Like No No: A Dockumentary, But Less Popular
Same territory, far fewer people have seen it.

















































