
One Week and a Day
Directed by Asaph Polonsky
Produced by Black Sheep Film Productions, Oscilloscope
A tender, darkly comic exploration of grief and rediscovery, where a bereaved father finds unexpected connection and meaning through an unlikely friendship.
When Eyal finishes the week of mourning for his late son, his wife urges him to return to their routine but instead he gets high with a young neighbor and sets out to discover that there are still things in his life worth living for.
Clusters
Questions people ask
Is One Week and a Day sad? Yes. More sad than 88% of films.
Is One Week and a Day violent? Barely. Less violent than 86% of films.
Is One Week and a Day scary? Barely. Less frightening than 84% of films.
Is One Week and a Day easy watching? Somewhat. More comforting than 67% of films.
Does One Week and a Day end with hope? Somewhat. More hopeful than 65% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like One Week and a Day
Nearest across the full emotional profile.
Same Mood as One Week and a Day
Nearest on what's most distinctive about this one.
Like One Week and a Day, But Darker
Similar, pushed toward heavier and more intense.
Like One Week and a Day, But Lighter
Similar, pushed toward warmer and easier.
Like One Week and a Day, But Less Popular
Same territory, far fewer people have seen it.






















































