
Orlando
Directed by Sally Potter
Produced by Mikado Film, Adventure Pictures
A visually sumptuous, formally playful meditation on gender, identity, and time that spans centuries through the eyes of an immortal, shape-shifting protagonist.
England, 1600. Queen Elizabeth I promises Orlando, a young nobleman obsessed with poetry, that she will grant him land and fortune if he agrees to satisfy a very particular request.
Clusters
Where to watch
Questions people ask
Is Orlando one of a kind? Yes, very. More singular than 94% of films.
Is Orlando violent? Not especially. Less violent than 74% of films.
Is Orlando easy watching? Somewhat. More comforting than 67% of films.
Is Orlando scary? Not especially. Less frightening than 65% of films.
Does Orlando end with hope? Somewhat. More hopeful than 65% of films.
Is Orlando sad? Somewhat. More sad than 61% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Everything like Orlando, and what each one shares →
Like Orlando
Nearest across the full emotional profile.
Same Mood as Orlando
Nearest on what's most distinctive about this one.
Like Orlando, But Darker
Similar, pushed toward heavier and more intense.
Like Orlando, But Lighter
Similar, pushed toward warmer and easier.
Like Orlando, But Less Popular
Same territory, far fewer people have seen it.

















































