OSS 117: Lost in Rio
Directed by Michel Hazanavicius
Produced by Gaumont, Mandarin Cinéma
A satirical spy comedy that gleefully mocks 1960s espionage tropes and cultural stereotypes through the bumbling misadventures of an oblivious secret agent in Rio.
In 1967, OSS 117 is sent to Brazil in order to retrieve a microfilm list of French Nazi sympathizers, only to once again unknowingly set foot into a bigger international intrigue.
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Where to watch
Questions people ask
Is OSS 117: Lost in Rio one of a kind? Yes, very. More singular than 92% of films.
Is OSS 117: Lost in Rio sad? Barely. Less sad than 89% of films.
Is OSS 117: Lost in Rio easy watching? Somewhat. More comforting than 60% of films.
Does OSS 117: Lost in Rio end with hope? About average. Almost exactly mid-range.
Is OSS 117: Lost in Rio scary? About average. Almost exactly mid-range.
Is OSS 117: Lost in Rio violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
There is almost nothing else like this.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Everything like OSS 117: Lost in Rio, and what each one shares →
Like OSS 117: Lost in Rio
Nearest across the full emotional profile.
Same Mood as OSS 117: Lost in Rio
Nearest on what's most distinctive about this one.
Like OSS 117: Lost in Rio, But Darker
Similar, pushed toward heavier and more intense.
Like OSS 117: Lost in Rio, But Lighter
Similar, pushed toward warmer and easier.
Like OSS 117: Lost in Rio, But Less Popular
Same territory, far fewer people have seen it.
