
People on Sunday
Directed by Robert Siodmak, Edgar G. Ulmer
Produced by Filmstudio 1929, Filmstudio Berlin
A lively, semi-documentary snapshot of Berlin leisure culture in the Weimar era, capturing the casual flirtations and romantic entanglements of ordinary people on a summer day off.
A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.
Clusters
Genres
Keywords
Questions people ask
Is People on Sunday violent? No. Less violent than 92% of films.
Is People on Sunday scary? Barely. Less frightening than 84% of films.
Is People on Sunday easy watching? Somewhat. More comforting than 71% of films.
Is People on Sunday sad? Not especially. Less sad than 59% of films.
Does People on Sunday end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble








Like People on Sunday
Nearest across the full emotional profile.
Same Mood as People on Sunday
Nearest on what's most distinctive about this one.
Like People on Sunday, But Darker
Similar, pushed toward heavier and more intense.
Like People on Sunday, But Lighter
Similar, pushed toward warmer and easier.
Like People on Sunday, But Less Popular
Same territory, far fewer people have seen it.

















































