Is Permanent Residence sad?

Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Permanent Residence violent?

Barely. Less violent than 86% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Permanent Residence scary?

Not especially. Less frightening than 65% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Permanent Residence end with hope?

Not especially. Less hopeful than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Permanent Residence easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Permanent Residence

Name: Permanent Residence
Genre: Romance, Drama
Released: 2009
Duration: 115 min
Rating: 5.6
Cast: Sean Li, Osman Hung, Jackie Chow, Lau Yu-Hong, Jonathan Lee Yat-Sing

Nobody will be alone.

Directed by Scud

Produced by Artwalker, Golden Scene Company Limited

2009115 min5.6 / 10

A tender, introspective meditation on unrequited love and mortality, anchored in intimate relationships and the passage of time.

The life story of a young man who has been pursuing an impossible love with his straight boyfriend and contemplating on the mortality of his loved ones.

Questions people ask

Is Permanent Residence sad? Yes, very. More sad than 96% of films.
Is Permanent Residence violent? Barely. Less violent than 86% of films.
Is Permanent Residence scary? Not especially. Less frightening than 65% of films.
Does Permanent Residence end with hope? Not especially. Less hopeful than 61% of films.
Is Permanent Residence easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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