Does Re/cycle end with hope?

Barely. Less hopeful than 83% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes. More sad than 75% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Re/cycle easy watching?

Not especially. Less comforting than 74% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Not especially. Less violent than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Somewhat. More frightening than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Re/cycle

Name: Re/cycle
Genre: Fantasy
Released: 2019
Duration: 1 min
Rating: 7.7
Cast: Jan Hlobil

A forest. A bicycle. A man. Where did they come from? And where do they go?

Directed by Rene Smaal

Produced by Runlevel Two Productions

20191 min7.7 / 10

A deliberately enigmatic, avant-garde surrealist film that abandons narrative logic to explore alienation, environmental decay, and the absurdity of modern existence through found objects and nonlinear imagery.

With input from actor and writer Jan Hlobil, director and cinematographer Rene Smaal presents a film in the true surrealist tradition, in the sense that only 'found' elements were used, and that it defies interpretation based on ordinary cause-and-effect time sequence.

Questions people ask

Does Re/cycle end with hope? Barely. Less hopeful than 83% of films.
Is Re/cycle sad? Yes. More sad than 75% of films.
Is Re/cycle easy watching? Not especially. Less comforting than 74% of films.
Is Re/cycle violent? Not especially. Less violent than 64% of films.
Is Re/cycle scary? Somewhat. More frightening than 61% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

95/ 100