No. Less violent than 92% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Yes, very. More sad than 91% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Barely. Less frightening than 76% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does Repast end with hope?

Not especially. Less hopeful than 64% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is Repast easy watching?

About average. Almost exactly mid-range for a well-known film. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Repast

Name: Repast
Genre: Drama
Released: 1951
Duration: 97 min
Rating: 7.6
Cast: Ken Uehara, Setsuko Hara, Yukiko Shimazaki, Yōko Sugi, Akiko Kazami

Directed by Mikio Naruse

Produced by TOHO

195197 min7.6 / 10

A quietly melancholic domestic drama about a woman's quiet dissatisfaction with her marriage and life, catalyzed by a visitor's arrival in post-war Japan.

In post-WWII Osaka, a middle-aged woman is forced to examine her dreary life and marriage when her husband's young and flirtatious cousin arrives for a brief stay to escape an arranged marriage.

Clusters

Slow Character Dramas About Loneliness Bittersweet Doomed Romances Loneliness and Longing East Asian History & Culture Food and Dining

Genres

Drama

Keywords

Based On Novel Or Book Marriage Osaka, Japan Meal Unhappiness Post War Japan Bored Housewife

Questions people ask

Is Repast violent? No. Less violent than 92% of films.
Is Repast sad? Yes, very. More sad than 91% of films.
Is Repast scary? Barely. Less frightening than 76% of films.
Does Repast end with hope? Not especially. Less hopeful than 64% of films.
Is Repast easy watching? About average. Almost exactly mid-range.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

75/ 100