
Run
We gotta get out while we're young
Directed by Scott Graham
Produced by Bard Entertainments, Barry Crerar
A melancholic portrait of a man trapped between his youthful dreams and adult responsibilities, grappling with regret and the risk of repeating his mistakes through his son.
A former boyracer, who married his first love and took a job in one of the fish factories, now has a 17 year-old-son of his own following in his footsteps and can no longer ignore the fact he’s going nowhere. Unable to be physically or emotionally present with his family, he takes his son’s car out for one final joy ride and risks losing the love that surrounds him
Clusters
Genres
Questions people ask
Is Run sad? Yes, very. More sad than 96% of films.
Is Run scary? Barely. Less frightening than 76% of films.
Is Run violent? Not especially. Less violent than 64% of films.
Does Run end with hope? Not especially. Less hopeful than 64% of films.
Is Run easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Run
Nearest across the full emotional profile.
Same Mood as Run
Nearest on what's most distinctive about this one.
Like Run, But Darker
Similar, pushed toward heavier and more intense.
Like Run, But Lighter
Similar, pushed toward warmer and easier.
Like Run, But Less Popular
Same territory, far fewer people have seen it.
























































