
Sabata
The man with gunsight eyes comes to kill!
Directed by Gianfranco Parolini
Produced by PEA, United Artists
A classic spaghetti western built on gunslinger heroics and corrupt authority, driven by action and moral clarity rather than introspection.
Several pillars of society have robbed an Army safe containing $100,000 so they can buy the land upon which the coming railroad will be built. But they haven't reckoned on the presence of the master gunslinger, Sabata.
Clusters
Genres
Keywords
Questions people ask
Is Sabata sad? Barely. Less sad than 80% of films.
Is Sabata violent? Yes. More violent than 80% of films.
Is Sabata scary? Somewhat. More frightening than 61% of films.
Does Sabata end with hope? About average. Almost exactly mid-range.
Is Sabata easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Familiar shape, done well.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Sabata
Nearest across the full emotional profile.
Same Mood as Sabata
Nearest on what's most distinctive about this one.
Like Sabata, But Darker
Similar, pushed toward heavier and more intense.
Like Sabata, But Lighter
Similar, pushed toward warmer and easier.
Like Sabata, But Less Popular
Same territory, far fewer people have seen it.




























































