
Saint Tropez, Saint Tropez
Directed by Castellano, Pipolo
Produced by Eurocapital '91, Lanterna Editrice
A lighthearted, sun-soaked ensemble sex comedy set in Saint-Tropez that weaves together romantic entanglements and comedic misadventures with a playful tone.
Four stories intertwine during summer at Saint-Tropez: a couple tries to recapture their spark; a girl falls for a male stripper she met at a night club; a famous pianist tries to prevent his ex-wife from re-marrying; an unsuspecting suicidal man gives a gorgeous female Mafia hitman a run for her money.
Clusters
Genres
Questions people ask
Is Saint Tropez, Saint Tropez scary? Barely. Less frightening than 76% of films.
Is Saint Tropez, Saint Tropez sad? Not especially. Less sad than 73% of films.
Is Saint Tropez, Saint Tropez easy watching? Somewhat. More comforting than 67% of films.
Is Saint Tropez, Saint Tropez violent? Not especially. Less violent than 62% of films.
Does Saint Tropez, Saint Tropez end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble











Like Saint Tropez, Saint Tropez
Nearest across the full emotional profile.
Same Mood as Saint Tropez, Saint Tropez
Nearest on what's most distinctive about this one.
Like Saint Tropez, Saint Tropez, But Darker
Similar, pushed toward heavier and more intense.
Like Saint Tropez, Saint Tropez, But Lighter
Similar, pushed toward warmer and easier.
Like Saint Tropez, Saint Tropez, But Less Popular
Same territory, far fewer people have seen it.

















































