
Salò, or the 120 Days of Sodom
The final vision of a controversial filmmaker.
Directed by Pier Paolo Pasolini
Produced by Les Productions Artistes Associés, PEA
A deliberately transgressive philosophical horror film that uses extreme depictions of fascist cruelty and sexual violence to interrogate power, corruption, and the nature of evil itself.
Four corrupted fascist libertines round up 9 teenage boys and girls and subject them to 120 days of sadistic physical, mental and sexual torture.
Clusters
Where to watch
Not available in United States — it streams in other countries.
Questions people ask
Is Salò, or the 120 Days of Sodom violent? Yes, very. More violent than 100% of films.
Is Salò, or the 120 Days of Sodom easy watching? No. Less comforting than 100% of films.
Does Salò, or the 120 Days of Sodom end with hope? No. Less hopeful than 100% of films.
Is Salò, or the 120 Days of Sodom one of a kind? Yes, very. More singular than 100% of films.
Is Salò, or the 120 Days of Sodom scary? Yes, very. More frightening than 99% of films.
Is Salò, or the 120 Days of Sodom sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
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Nearest on what's most distinctive about this one.
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Similar, pushed toward heavier and more intense.
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