
Shirin
You are the screen, they are the audience.
Directed by Abbas Kiarostami
Produced by Kiarostami Foundation
A radically experimental meditation on spectatorship and emotion, where the invisible performance of a classical Persian love poem is entirely conveyed through the intimate, shifting expressions of women's faces.
A hundred and fourteen famous Iranian theater and cinema actresses and a French star: mute spectators at a theatrical representation of Khosrow and Shirin, a Persian poem from the twelfth century, put on stage by Kiarostami. The development of the text -- long a favorite in Persia and the Middle East -- remains invisible to the viewer of the film, the whole story is told by the faces of the women watching the show.
Genres
Questions people ask
Is Shirin violent? No. Less violent than 92% of films.
Is Shirin scary? Barely. Less frightening than 84% of films.
Is Shirin sad? Yes. More sad than 75% of films.
Is Shirin easy watching? Somewhat. More comforting than 67% of films.
Does Shirin end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like Shirin
Nearest across the full emotional profile.
Same Mood as Shirin
Nearest on what's most distinctive about this one.
Like Shirin, But Darker
Similar, pushed toward heavier and more intense.
Like Shirin, But Lighter
Similar, pushed toward warmer and easier.
Like Shirin, But Less Popular
Same territory, far fewer people have seen it.





























































