
Shooting the Mafia
Directed by Kim Longinotto
Produced by Lunar Pictures, Fís Éireann/Screen Ireland
A portrait of a courageous photojournalist who weaponized her art against the Sicilian Mafia, documenting brutality and bearing witness to systemic violence.
Sicilian photojournalist Letizia Battaglia began a long battle against the ruthless Cosa Nostra when she first photographed the sinister scene of a brutal murder. Documenting the barbaric rule of the Italian Mafia, she was an unwavering witness to its crimes. Her art and courage helped end the horrific and bloody reign of the Corleonesi clan.
Clusters
Genres
Questions people ask
Is Shooting the Mafia violent? Yes. More violent than 80% of films.
Is Shooting the Mafia sad? Yes. More sad than 75% of films.
Does Shooting the Mafia end with hope? Somewhat. More hopeful than 62% of films.
Is Shooting the Mafia scary? Somewhat. More frightening than 61% of films.
Is Shooting the Mafia easy watching? Not especially. Less comforting than 61% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble


Like Shooting the Mafia
Nearest across the full emotional profile.
Same Mood as Shooting the Mafia
Nearest on what's most distinctive about this one.
Like Shooting the Mafia, But Darker
Similar, pushed toward heavier and more intense.
Like Shooting the Mafia, But Lighter
Similar, pushed toward warmer and easier.
Like Shooting the Mafia, But Less Popular
Same territory, far fewer people have seen it.

















































