
Stop-Loss
The bravest place to stand is by each other's side.
Directed by Kimberly Peirce
Produced by MTV Films, Peirce Pictures
A grounded drama about an Iraq War veteran's struggle against institutional betrayal and PTSD, anchored by bonds of loyalty and the moral weight of duty.
A veteran soldier returns from his completed tour of duty in Iraq, only to find his life turned upside down when he is arbitrarily ordered to return to field duty by the Army.
Clusters
Questions people ask
Is Stop-Loss sad? Yes. More sad than 82% of films.
Does Stop-Loss end with hope? Not especially. Less hopeful than 64% of films.
Is Stop-Loss scary? Somewhat. More frightening than 61% of films.
Is Stop-Loss easy watching? Not especially. Less comforting than 61% of films.
Is Stop-Loss violent? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble












Everything like Stop-Loss, and what each one shares →
Like Stop-Loss
Nearest across the full emotional profile.
Same Mood as Stop-Loss
Nearest on what's most distinctive about this one.
Like Stop-Loss, But Darker
Similar, pushed toward heavier and more intense.
Like Stop-Loss, But Lighter
Similar, pushed toward warmer and easier.
Like Stop-Loss, But Less Popular
Same territory, far fewer people have seen it.

















































