
Super Fantozzi
Directed by Neri Parenti
Produced by Scena Film, Reteitalia
A surreal, high-spirited comedy romp through history that uses absurdist humor and fantastical scenarios to chronicle an everyman's misadventures across time.
Superfantozzi (1986) is an Italian film from 1986. It is the fifth film in the saga of the unlucky clerk Ugo Fantozzi, played by its creator, Paolo Villaggio. In this film, Fantozzi is portrayed in a surreal historical journey, from Genesis to 1980s.
Clusters
Genres
Where to watch
Not available in United States — it streams in other countries.
Questions people ask
Is Super Fantozzi one of a kind? Yes, very. More singular than 97% of films.
Is Super Fantozzi scary? Barely. Less frightening than 84% of films.
Is Super Fantozzi sad? Not especially. Less sad than 73% of films.
Is Super Fantozzi easy watching? Somewhat. More comforting than 67% of films.
Is Super Fantozzi violent? Not especially. Less violent than 64% of films.
Does Super Fantozzi end with hope? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble









Everything like Super Fantozzi, and what each one shares →
Like Super Fantozzi
Nearest across the full emotional profile.
Same Mood as Super Fantozzi
Nearest on what's most distinctive about this one.
Like Super Fantozzi, But Darker
Similar, pushed toward heavier and more intense.
Like Super Fantozzi, But Lighter
Similar, pushed toward warmer and easier.
Like Super Fantozzi, But Less Popular
Same territory, far fewer people have seen it.

















































