
Symphony No. 42
Directed by Réka Bucsi
Produced by Moholy-Nagy University of Art and Design, Boddah
A fragmented, surreal animated meditation on the irrational logic of existence, told through 47 loosely associated scenes that prioritize visual and conceptual strangeness over narrative coherence.
The film applies an unconventional narrative. It presents a subjective world through 47 scenes. The small events, interlaced by associations, express the irrational coherence of our surroundings. The surreal situations are based on the interactions of humans and nature.
Keywords
Questions people ask
Is Symphony No. 42 violent? Barely. Less violent than 76% of films.
Is Symphony No. 42 sad? Somewhat. More sad than 70% of films.
Is Symphony No. 42 scary? Not especially. Less frightening than 65% of films.
Does Symphony No. 42 end with hope? Not especially. Less hopeful than 64% of films.
Is Symphony No. 42 easy watching? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Distinctly its own thing.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Like Symphony No. 42
Nearest across the full emotional profile.
Same Mood as Symphony No. 42
Nearest on what's most distinctive about this one.
Like Symphony No. 42, But Darker
Similar, pushed toward heavier and more intense.
Like Symphony No. 42, But Lighter
Similar, pushed toward warmer and easier.
Like Symphony No. 42, But Less Popular
Same territory, far fewer people have seen it.

















































