
The Auschwitz Report
They escaped hell... and now they must prove it
Directed by Peter Bebjak
Produced by Evolution Films, Ostlicht Filmproduktion
A harrowing historical drama about two men's desperate escape from Auschwitz and their mission to bear witness to atrocity, balancing survival horror with moral urgency.
This is the true story of Freddy and Walter – two young Slovak Jews, who were deported to Auschwitz in 1942. On 10 April 1944, after meticulous planning, they manage to escape. While the inmates they had left behind courageously stand their ground against the Nazi officers, the two men are driven on by the hope that their evidence could save lives.
Keywords
Questions people ask
Is The Auschwitz Report sad? Yes, very. More sad than 96% of films.
Is The Auschwitz Report easy watching? No. Less comforting than 92% of films.
Is The Auschwitz Report violent? Yes. More violent than 80% of films.
Does The Auschwitz Report end with hope? Somewhat. More hopeful than 62% of films.
Is The Auschwitz Report scary? Somewhat. More frightening than 61% of films.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
You have seen this shape before.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Auschwitz Report
Nearest across the full emotional profile.
Same Mood as The Auschwitz Report
Nearest on what's most distinctive about this one.
Like The Auschwitz Report, But Darker
Similar, pushed toward heavier and more intense.
Like The Auschwitz Report, But Lighter
Similar, pushed toward warmer and easier.
Like The Auschwitz Report, But Less Popular
Same territory, far fewer people have seen it.





























































