
The Burglar
A trail of perfume... and violence!
Directed by Paul Wendkos
Produced by Columbia Pictures
A classic film noir heist that spirals into moral and emotional complications, driven by scheming and paranoia in a shadowy criminal underworld.
Burglar Nat Harbin and his two associates set their sights on wealthy spiritualist Sister Sarah, who has inherited a fortune -- including a renowned emerald necklace -- from a Philadelphia financier. Using Nat's female ward, Gladden, to pose as an admirer and case the mansion where the woman lives, they set up a perfect break-in. Things get complicated afterwards.
Clusters
Questions people ask
Does The Burglar end with hope? Barely. Less hopeful than 80% of films.
Is The Burglar scary? Somewhat. More frightening than 72% of films.
Is The Burglar easy watching? Not especially. Less comforting than 61% of films.
Is The Burglar violent? Somewhat. More violent than 59% of films.
Is The Burglar sad? About average. Almost exactly mid-range.
These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.
Cinnamon Score
How much this film gives you that nothing else will, and whether it delivers.
Conventional, and it does not land.
How unlike any other film this one feels
How much more it delivers than it promises
How much audiences actually like it
Ensemble
Like The Burglar
Nearest across the full emotional profile.
Same Mood as The Burglar
Nearest on what's most distinctive about this one.
Like The Burglar, But Darker
Similar, pushed toward heavier and more intense.
Like The Burglar, But Lighter
Similar, pushed toward warmer and easier.
Like The Burglar, But Less Popular
Same territory, far fewer people have seen it.






















































