Is The Double Hour sad?

Yes, very. More sad than 96% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Double Hour scary?

Yes. More frightening than 87% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Does The Double Hour end with hope?

Barely. Less hopeful than 80% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Double Hour violent?

Somewhat. More violent than 68% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

Is The Double Hour easy watching?

Not especially. Less comforting than 61% of well-known films. This describes how the film comes across as a whole, measured against other well-known films; it is not a content list.

The Double Hour

Name: The Double Hour
Genre: Crime, Drama, Mystery, Romance, Thriller
Released: 2009
Duration: 95 min
Rating: 6.1
Cast: Kseniya Rappoport, Filippo Timi, Antonia Truppo, Gaetano Bruno, Fausto Russo Alesi

A romance. A robbery. A mystery.

Directed by Giuseppe Capotondi

Produced by Indigo Film, Medusa Film

200995 min6.1 / 10

A psychological thriller that uses a doomed romance as the frame for a mystery involving murder, hallucinations, and fractured identity.

A chambermaid and a former cop meet at a speed dating event and a romance develops. But during a romantic getaway things suddenly take a turn for the worse when her mysterious past is revealed.

Questions people ask

Is The Double Hour sad? Yes, very. More sad than 96% of films.
Is The Double Hour scary? Yes. More frightening than 87% of films.
Does The Double Hour end with hope? Barely. Less hopeful than 80% of films.
Is The Double Hour violent? Somewhat. More violent than 68% of films.
Is The Double Hour easy watching? Not especially. Less comforting than 61% of films.

These describe how the film comes across, measured across the whole film and compared with other well-known films. They are not a content list — nothing here was counted or checked scene by scene, so for age-suitability or specific content use a classification board or a dedicated content-warning service.

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